Cinemateca Brasileira: the kidnapping and destruction of our audiovisual memory
DOI:
https://doi.org/10.29397/reciis.v15i3.2449Keywords:
Cinemateca Brasileira, History of Brazilian cinema, Cultural Policies, Preservation, Memory.Abstract
This note deals with the crisis that has been affecting the Cinemateca Brasileira since 2019, revealing the history of the reasons for that turn of events and evaluating the damages brought about by the last governmental actions relating to the institution. The endeavour to describe in this work the activities developed by Cinemateca Brasileira and what it represents to society as a whole points out a conviction that in spite of the gravity of current situation the institution will survive. This might not be true by the will of the current government or by virtue of perpetual motion, but this might happen by reaction of our civil society and of the Courts of Justice of our country against a set of faults which affected it completely.
Downloads
Published
2021-08-31
How to Cite
Morettin, E. (2021). Cinemateca Brasileira: the kidnapping and destruction of our audiovisual memory. Revista Eletrônica De Comunicação, Informação & Inovação Em Saúde, 15(3). https://doi.org/10.29397/reciis.v15i3.2449
Issue
Section
Notes on current situations
License
Author’s rights: The author retains unrestricted rights over his work.
Rights to reuse: Reciis adopts the Creative Commons License, CC BY-NC non-commercial attribution according to the Policy on Open Access to Knowledge by Oswaldo Cruz Foundation. With this license, access, download, copy, print, share, reuse, and distribution of articles is allowed, provided that it is for non-commercial use and with source citation, granting proper authorship credits and reference to Reciis. In such cases, no permission is required from the authors or editors.
Rights of authors’s deposit / self-archiving: The authors are encouraged to deposit the published version, along with the link of their article in Reciis, in institutional repositories.
