Singing someone else’s pain: Zuzu Angel’s story and the song as a historical testimony in Chico Buarque’s work
DOI:
https://doi.org/10.29397/reciis.v14i4.2038Keywords:
Brazilian Popular Music, Historical testimony, Trauma, Collective memory, Military Dictatorship.Abstract
In this article we discuss the aesthetization of historical testimony in two songs by composer Francisco Buarque de Holanda: Angélica (1981) and Pedaço de mim (1978), both inspired in the story of Zuzu Angel, a Brazilian fashion stylist whose son was killed by the government during Brazilian civil military dictatorship in 1971. Zuzu Angel died in a mysterious car accident in 1976. We cite authors such as Benjamin, Agamben, Halbwachs, Seligmann-Silva and Blacking to discuss how a popular song can be a peculiar way to express the nature of the trauma and to bring to light specifi features of an alleged testimonial truth.Downloads
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Published
2020-12-17
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Original articles
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How to Cite
Singing someone else’s pain: Zuzu Angel’s story and the song as a historical testimony in Chico Buarque’s work. (2020). RECIIS, 14(4). https://doi.org/10.29397/reciis.v14i4.2038
